Beatrix Kiddo a.k.a The Bride is a female assassin, a trained killer who was betrayed by the Deadly Viper Assassination Squad, led by her former boss Bill who gunned her down on her wedding day leaving her for dead. The Bride awoke four years later and set out to get her vengeance on Bill and the Deadly Viper Assassination Squad who betrayed her. Helped by one of Bill's former tutors, retired sword maker Hattori Hanzo, The Bride begun her quest for vengeance and she killed Vernita Green and O'Ren Ishii. Continuing her quest for vengeance, The Bride sets out to get her vengeance on Bill's younger brother Budd who is now a bouncer at a strip club and Elle Driver, The Bride's one-eyed nemesis and Bill himself, unaware Bill has her daughter B.B in his custody, who she thought died while she was in her coma. Will The Bride succeed and get her vengeance and will she kill Bill?
The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd and the treacherous, one-eyed Elle.
Due to some problems that I won&#39;t go into here, I missed the theatrical release of Vol. 1. So I got the idea to just sit and wait. Why not let Vol. 2 finish it&#39;s run too, then when I can have them both on DVD, run them back to back in my home theater.<br/><br/>And I have to say, once I finally did it, it was fun, and well worth the wait. From the moment those crazy 1970&#39;s lobby cards came up at the start of Vol. 1, to the cool animation, thru that awesome homage flashback bit with the white haired master, and on to the final unbelievable finish, it was a riot.<br/><br/>Not great cinema, but a lot of fun, a great night of entertainment.<br/><br/>If you have a sense of humor, and know anything about the cinema of the 1970&#39;s, I think you will really enjoy this film. And so what that it&#39;s volumes 1 and 2, it&#39;s one movie, without question.<br/><br/>I&#39;m Tex Nickle and that&#39;s all I have to say about Kill Bill.
When I first heard about Kill Bill, it sounded like a filler project, a fun exercise in which Tarrantino cold pay homage, riff and rip-off his favourite genre pics. If this had been true, I might have enjoyed this film (for it really does not not deserve to be listed as 2 films) and would not have this sense of disappointment and sadness at an obviously talented filmmaker being allowed to indulge himself so completely in what is in reality, a very, very slim premise for a a 247 min film. I can understand why the Weinsteins wanted 2 films, because it is good business, but surely Producer Lawrence Bender, should have stepped in and questioned the motivations of his Director and suggested some much-needed pruning of his &quot;epic&quot;.<br/><br/>Whilst I wasn&#39;t blown away by Volume 1, I enjoyed its trashy homage to the Grindhouse pictures clearly dear to its Director&#39;s heart and I was intrigued to see how he would weave the Spaghetti western genre into Volume 2. Spaghetti Western!!! To even mention this film in the same breath a Leone et al. is the funniest thing I have heard in years. Believe me. this is no Western, this is no cool, revenge flick, this is simply an exercise in style that runs out of steam way before the inevitable denouement.<br/><br/>There are scenes in this film that go nowhere, dialogue that meanders and ultimately bores and action that whilst wonderfully choreographed (esp Vol… 1), has no real excitement or genuine sense of danger. The much-anticipated Pai Mei training was dull dull dull and I honestly wondered if I had experienced a micro sleep during this part, as I felt the whole sequence was under-developed and incomplete.<br/><br/>There are however, some wonderful moments in these films, but the poor editing and bloated direction means you have to wait and wait for so long for them to happen, that you begin to question whether you&#39;re really that interested in these shallow characters anyway. The characters in this films are supposedly the epitome of iconic cool, but they are like the sets of Old Hollywood westerns, well-dressed facades, with nothing behind, but the desert.<br/><br/>A disappointment on every level.
The film succeeds by expertly melding the two stages of Tarantino's career. The rambling Tarantino of "Jackie Brown" and "Pulp Fiction" is evident in every lovingly crafted and delivered monologue, each leisurely paced scene and long take. The more action-oriented, fight-intensive Tarantino reappears in the viscerally exciting bursts of ultra-violence that punctuate the stretches of dialogue.
The training of The Bride.<br/><br/>&quot;L&#39;Arena&quot; - Ennio Morricone:
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